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John Koshak celebrates his 37th season as Music Director and
Conductor of the Orange County Youth Symphony Orchestra.
His leadership of the OCYSO has established the orchestra as
one of the prominent youth orchestras in the United States and
has brought national attention to the arts in Orange County. He
recently completed his thirty-two year tenure at Chapman
University where he served as Director of Orchestras and
Instrumental Music. At the university Professor Koshak was
responsible for building Chapman's nationally prominent
orchestra program and one of the nation's leading undergraduate
conductor training programs in orchestral conducting.
To honor his achievements and contributions, Chapman
University recognized John Koshak as Conductor and Professor
Emeritus and established the John Koshak Visiting Professorship.
The university also established the John Koshak Practice Room
in Oliphant Hall, the newest music building on the Chapman
University campus.
Professor Koshak has been enthusiastically reviewed by
critics both at home and abroad. A Los Angeles Times reviewer
wrote: “Carefully regulating each crescendo, Koshak made every
climax powerful, dramatic and exhilarating without exhausting
his resources at the first fortissimo.” In Germany, the Rhein
Zeitung review wrote: “both the overall harmonic picture and
the artistic discipline can be attributed to the conductor, John
Koshak.” Of the Brahms Symphony No. 1, the critic described
Koshak as a “true Salzburgian.” While in Australia, the Sydney
Herald music critic wrote: “John Koshak presided over first rate
string sounds in the Barber Adagio, and in a Gabrielli Canzona
made the brass ring out triumphantly, while Bernstein’s Candide
Overture hustled along with irresistible panache.” He has
conducted orchestras in Australia, China and Europe, and has
conducted honor, festival and all-state orchestras in California,
Nevada, Montana, Washington, and New York. He has served as
artist-in-residence and guest conductor at the Sydney (Australia)
Conservatorium of Music and was twice invited as guest
conductor of the Pan Pacific Music Festival in Australia.
Maestro Koshak has toured extensively with his orchestras,
including performances in Europe, China, Hong Kong, Japan,
and New York. He has conducted in some of the world's
greatest concert halls, including the Mozarteum in Salzburg,
Austria, the Sydney Opera House, Australia, and New York's
prestigious Carnegie Hall
Prior to his appointment to the faculty of Chapman
University, he was a public school music educator and
conductor in New York, Germany, New Jersey, and California.
In Orange County, California, Professor Koshak was recognized
for his work in music education when he received the Irene
Schoepfle Award for Distinguished Contributions to Orange County
Music and by the Philharmonic Society of Orange County which
presented him with their Golden Lyre Award for his work with
their music education programs and for his artistic leadership of
the Orange County Youth Symphony Orchestra. With the
OCYSO Maestro Koshak has conducted youth concerts in
Orange County for over a half million Orange County students.
While conducting and teaching in Europe, Professor Koshak
received recognition by the United States Government, which
granted him the Superior Performance Award for his work in
Germany. He and his orchestras have twice received the ASCAP
Award from the American Symphony Orchestra League for the
performance of American music. At Chapman University,
Professor Koshak received the Faculty of the Year Award from the
Chapman Alumni Association for his outstanding teaching and
conducting. He is the author of the conducting book, The
Conductor's Role: Preparation for Individual Study, Rehearsal and
Performance.
Professor Koshak received his Bachelor of Music degree
from The Pennsylvania State University, his Master's degree
from Columbia University, and his Conducting Diploma from
the Mozarteum in Salzburg, Austria. He serves as Chair of Conductor’s Mentoring Committee of the Conductors Guild.
Conductor and Pianist Daniel Alfred Wachs is increasingly recognized as one of the few musicians of his generation successfully balancing the demands of a busy conducting and solo career. Recently, his performance with the Minnesota Orchestra “proved a revelation, delivering a technically impeccable, emotionally powerful performance of two Mozart piano concertos and a pair of solo works…” (St. Paul Pioneer Press)
In the fall of 2006, Mr. Wachs was named Music Director & Director of Instrumental Studies of the Conservatory of Music at Chapman University. Concurrently, he serves as an Assistant Conductor of the National Orchestra of France in Paris under Kurt Masur, Mr. Wachs’ recent engagements include the French premiere of Bernstein’s Candide at the Théâtre du Châtelet (a co production with La Scala & ENO) and Albert Herring with Opera Chapman. He served as a juror for the 2007 ASCAP Foundation Rudolf Nissim Award in New York and as Assistant Conductor and Repetiteur for Cincinnati Opera during its 2007 Season. Upcoming engagements include a recital with tenor William Burden and as soloist with the Boca Raton Philharmonic.
Highlights of Mr. Wachs’ tenure as Assistant Conductor of the Minnesota Orchestra include a semi-staged performance of Amahl and the Night Visitors (with the Minnesota Opera Chorus and James Sewell Ballet Company), as host and conductor of an evening of Mozart Symphonies, and various pops presentations.
During the 2004-05 Season, Mr. Wachs held the position of Artist in Residence at New York City Ballet, leading performances during the company’s Balanchine Centennial as well as during the 50th Anniversary of The Nutcracker. He has guest conducted such orchestras as the Auckland Philharmonia of New Zealand, The Fort Worth Symphony, the Florida West Coast Symphony, and the National Symphony (as part of the National Conducting Institute.) As a soloist, he has performed in such venues as Weill Recital Hall at Carnegie Hall, Alice Tully Hall, Tchaikovsky Hall in Moscow, the Salle Padarewski in Lausanne, and at such festivals as Aspen, Music Academy of the West, Tanglewood and Verbier.
Born in 1976 and raised and educated in the United States, Israel and Europe, Mr. Wachs was auditioned by Zubin Mehta at the age of eight and began studies with Enrique Barenboim. He subsequently pursued studies at the Zürich Academy of Music and the North Carolina School of the Arts. Mr. Wachs holds a Bachelor’s degree in Piano from the Curtis Institute of Music and graduate degrees in piano & conducting from The Juilliard School. While at Juilliard, Mr. Wachs served as Music Director of the Swarthmore College Orchestra.
Carol Cooper-Ajibabi celebrates her return to the OCYSO as General Manager &
Assistant Conductor. She originally joined the OCYSO staff in 1993 where she
served eight years as the orchestra's Manager and Assistant Conductor.
Mrs. Cooper-Ajibabi received her Bachelor's of Music Education degree from
Chapman University in 1976 and earned her Masters degree in 1990 from United
States International University. She teaches middle school in the Capistrano
Unified School District. This year begins her 30th year of teaching
instrumental and vocal music for CUSD.
Mrs. Cooper-Ajibabi has been on the coaching staffs at ISOMATA, Wildwood,
and Arrowbear Music Camps. She has adjudicated and auditioned for KCET
African American Performing Artists Awards, Santiago Strings Orchestra,
Orange County Junior Youth Orchestra, All Southern Junior High and High
School Honor Orchestras and been a guest conductor for the Irvine Unified
School District Honor Orchestra. As a freelance cellist she has performed
professionally with numerous artists for television and radio audiences
throughout Los Angeles and Orange counties.
Her past and present professional associations and affiliations include: The
Violoncello Society of Los Angeles, Orff Schulwerk, Southern California
School Band and Orchestra Association, Orange County Music
Educators-Southern Section, MENC National Association for Music Educators,
and Southern California Vocal Association.
Dr. Anthony Mazzaferro was born and raised in San Francisco. He received
his Bachelor of Music degree from San Francisco State University. During his undergraduate years, he served as the Principal Tubist in the Symphonic Band and Symphony Orchestra. In addition to this he was the Assistant Conductor for both the Symphonic and Concert Bands. After graduating with honors in 1978, Dr. Mazzaferro attended Northwestern University. He pursued a Master of Music degree in Instrumental Conducting where he studied with John P. Paynter. In 1986 he received his Doctor of Musical Arts degree from Arizona State University where he was a Graduate Assistant for the Band and Music Education departments. While at Arizona State, Dr. Mazzaferro studied with Richard Strange, Robert Fleming, Daniel Perantoni, Ronald LoPresti and Barrie Wells.
Previous to his appointment at Fullerton College, Dr. Mazzaferro taught for the Mount Diablo and Palo Alto Unified School Districts. His assignments included both elementary and secondary instrumental ensembles. His guest conducting assignments have included Honor Bands and Orchestras throughout the Western United States, Canada, and New Zealand. In 1994 and 2001 Dr. Mazzaferro was selected to conduct the California All-State Honor Band. In 2000 Dr Mazzaferro was selected to conduct the Alberta, Canada All-Provincial Honor Band. In 2007 Dr. Mazzaferro will conduct the Northern California High School Honor Band and the California CBDA Junior High All-State Symphonic Band. As a clinician, Dr. Mazzaferro has worked with Concert Bands and Orchestras from The United States, Japan, Singapore, New Zealand, Canada, and China.
On his principal instrument, tuba, Dr. Mazzaferro has performed with numerous bands and orchestras throughout California. This includes the Diablo Symphony Peninsula Symphony, Symphony of the Mountain, Berkeley Symphony, Santa Cruz Symphony, Santa Ana Symphony, and the Crystal Cathedral “Hour of Power” Orchestra.
Dr. Mazzaferro is active in several other musical affiliations outside of Fullerton College. His most recent activities include membership on the Board of Directors for the Cazadero Performing Arts Camp in Northern California and the Orange County Youth Symphony Orchestra. Since 1992 he has served as the Principal Conductor of the Claremont Symphonic Winds.
In addition to his academic assignments in Music History & Music Appreciation, Dr. Mazzaferro conducts the Symphonic Wind Ensemble, Community Band, and instructs Applied Euphonium and Tuba.
It is almost easier to
think of Paul Chihara as several different composers. There is the
Chihara whose sensitivity to exquisite instrumental color has made
him a favorite with such performers as conductor Seiji Ozawa and the
Sequoia String Quartet. There is, however, a strong theatrical side
to Chihara which expresses itself in works for dance, musical
theater and film. And there is Chihara’s love for American popular
music of the 30s and 40s.” The Los Angeles Times, Mark Swed
Paul Seiko Chihara was born
in Seattle, Washington in 1938. He received his doctorate degree (D.M.A.)
from Cornell University in 1965 as a student of Robert Palmer. Mr.
Chihara also studied with the renowned pedagogue Nadia Boulanger in
Paris, Ernst Pepping in Berlin, and with Gunther Schuller at
Tanglewood, summer home of the Boston Symphony. With Toru Takemitsu,
Chihara was composer-in-residence at the Marlboro Music Festival in
Vermont in 1971. He was also the composer-in-residence at the
Edinburgh Festival of 1973, as well as the first
composer-in-residence of the Los Angeles Chamber Orchestra, Neville
Marriner, Conductor.
Mr. Chihara’s prize-winning
concert works have been performed in most major cities and arts
centers in the U.S. and Europe. Zubin Mehta invited him to be his
composer-in-residence at the Edinburgh Festival of 1971, and
subsequently performed his FOREST MUSIC FOR ORCHESTRA throughout the
world with the Los Angeles Philharmonic Orchestra. His numerous
commissions and awards include those from The Lili Boulanger
Memorial Award, the Naumberg Foundation, the Guggenheim Foundation,
the Fulbright Fellowship, the Aaron Copland Fund, and National
Endowment for the Arts, as well as from the Boston Symphony
Orchestra, the London Symphony Orchestra, the Los Angeles
Philharmonic, the New Japan Philharmonic, the Cleveland Orchestra,
the New Juilliard Ensemble, CONTINUUM, and the Orpheus Chamber
Orchestra. In 1999, he was invited to participate for two weeks at
the Festival of New Music at the Conservatory of Music in Lyon,
France. In December of 2000, his LOVE MUSIC (Concerto for Violin,
Clarinet and Orchestra) was premiered by the Mendelssohn Chamber
Orchestra at the Gewandhaus in Leipzig, Germany. In April of 2001,
his commissioned orchestral tone poem CLOUDS was premiered by the
American Composers Orchestra in their Millennium Concert at Carnegie
Hall. More recently (November, 2002), his AMATSU KAZE (for soprano
and five instruments) was premiered by the New Juilliard Ensemble at
the Why Note Festival in Dijon, France. In February 2002, an entire
concert of his choral music was presented by the Westminster Choir
College at Princeton, New Jersey. His “An Afternoon on the Perfume
River” received its world premiere by the Orpheus Chamber Orchestra
at Carnegie Hall in February of 2004. Sir Neville Marriner and the
world-renowned guitar virtuoso Pepe Romero recently recorded his
Guitar Concerto with the London Symphony Orchestra. (Also on this
new all- Chihara CD will be his ballet MISTLETOE BRIDE and the Bass
Concerto "GRASS.") Mr. Chihara most recent orchestral piece (MORNING
DANCES) was commissioned by Carl St. Clair and the Pacific Symphony
Orchestra, who premiered it at Segerstrom Hall in October, 2004.
Active in the ballet world,
Mr. Chihara was composer- in-residence at the San Francisco Ballet
from 1973-1986. While there, he wrote many trailblazing works,
including Shin-ju (based on the "lovers' suicide" plays by the great
Japanese dramatist Chikamatsu), as well as the first full-length
American ballet, The Tempest.
In addition to his many concert works, Mr.
Chihara has composed scores for over 90 motion pictures and
television series. He has worked with such luminaries as directors
Sidney Lumet, Louis Malle, Michael Ritchie, John Turturro and Arthur
Penn. His movie credits include Prince of the City, The Morning
After, Crossing Delancey, and Romance and Cigarettes. His works for
television include China Beach, Noble House, Brave New World, and
100 Centre Street. Mr. Chihara also served as music supervisor at
Buena Vista Pictures (Walt Disney Co.). Also active in the New York
musical theatre world, Mr. Chihara served as musical consultant and
arranger for Duke Ellington’s Sophisticated Ladies, and was the
composer for James Clavell’s Shogun, the Musical.
Mr. Chihara’s works have been widely
recorded. His compositions appear on many labels including BMG
Records, Reference Recordings, CRI, Music and Art, Vox Candide, New
World Records, and The Louisville Orchestra First Editions Records.
He is published by C. F.Peters and G. Schirmer. He has recently
received a contract from Silman-James Press to write a book on
composing and understanding film music.
In 2004, Mr. Chihara was appointed the
Curator for Outreach and Lectures by the Orpheus Chamber Orchestra,
with whom he has toured, lectured, and produced
lecture-presentations throughout the metropolitan New York area. He
is Professor of Music at UCLA, where his specialty is the teaching
of film music. He has recently helped design a graduate degree
program in film music composition, in conjunction with the UCLA
departments of Film, Animation, and Design.
Mr. Acosta began his music
studies at the age of nine, playing violin in his elementary school
orchestra. As a freshman in high school, he put the violin aside and
began studying the French horn. He began his collegiate studies at
Long Beach State University. There he studied with artists such as
Joe Myer and Jim Atkinson. After three years, he transferred to
Chapman University, and studied with Brian Drake. In 2001, he earned
a degree in French horn performance, from Chapman University.
Currently, Mr. Acosta is in his first year with the Orange County Youth Symphony Orchestra, as a member of the staff.
Mr. Acosta is very active as a freelance musician, performing throughout Southern California. He has performed with The Chapman Symphony Orchestra, The Debut Orchestra, The Irvine Valley College Wind Symphony, and The Long Beach Community Band. His free lance performing includes operas, musicals, community events, recitals and orchestras.
Mr. Shaffer began his music studies at age six with piano lessons. Middle school initiated his love of bassoon and saxophone, two instruments he continues to play under the instruction of John Campbell and Gary Matsuura. Throughout the course of college, he has also developed a strong interest in conducting, studying with Chapman University Conductor & Professor Emeritus John Koshak and Professor Daniel Wachs. Furthermore, he attended an intensive Conductors Institute at the Bard College Conservatory of Music to work with renowned conductors including Harold Farberman, Apo Hsu, Eduardo Navarro, and Lawrence Golan.
As an active freelance musician, Mr. Shaffer has performed with numerous ensembles including the Biola Symphony Orchestra, and the Capistrano Valley Symphony. He has been a member of groups such as the Irvine Valley College Wind Symphony, Long Beach Community Band, La Primavera, the Los Angeles Youth Symphony, and the Orange County Youth Symphony Orchestra (OCYSO). He has toured with OCYSO throughout Europe, as well as with the Chapman University Wind Symphony in Australia under the direction of Dr. Robert Frelly. Mr. Shaffer also teaches private music lessons, works as a woodwind coach and clinician at various high schools, is the Vice President of the Chapman University chapter of the National Association of Music Educators, and serves as President of the Chapman University Conservatory of Music Orchestra Committee. Furthermore, he is honored to hold the Latham and Watkins Music Scholarship at Chapman.
Mr. Shaffer’s pursuit of excellence reaches outside of music as he maintains membership in honor societies such as Gamma Beta Phi, The Order of Omega, and Mortar Board. He is currently a senior, earning a triple major in Music Education, Bassoon Performance, and Orchestral Conducting with his eyes set on continuing his study of music education as well as orchestral conducting at the graduate, and ultimately doctoral levels.
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